Sunday, 12 October 2008

Anna Torma - embroidery

Material Memory with Jane Adeney - 1999

Anna Torma is a fibre artist whose work has stayed with me for years. I feel a deep connection to it and often re-visit it.

The work I am so enamoured with is of course, her quilts. In this instance it's their embroidery/illustration and content that fascinates me rather than any technicalities of the craft. Their thinness, with warped sides remind me of early quilts that were perhaps made for hospital patients from newspaper or old shirt fabrics.

The works are huge in scale, intricate, complex, intimate, meaningful, playful, contradictory. Some of the images evoke for me the dynamism and movement of Cy Twombly. Each one is a place to visit, spend time, be lost, find things, learn and always be inspired. So many things happening in each piece, so many strands, stories and interpretations.. with a level of skill, care and detail that belies their playful appearance.

Playground III - 2002

A number of years ago I wanted to find out more about Anna Torma, so I contacted her and asked where I might find information. Her response was to very kindly post me an exhibition catalogue in return for copies of Selvedge. I was thrilled and impressed by her earthy nature and open manner. It felt like a favourite pop star had written to me - so exciting.

detail of Herbary - 2001

This warmth is blatant in her work. Her maternal experience is there for all to see but she is a weighty artist, an important influence on many fibre artists. Her originality, questioning of materials, technical expertise, wisdom and cultural heritage are cleverly and delicately woven into the complicated patterns and subtexts.

Playground I - 2002

Torma repeatedly uses the drawings and stories of her children. As I am primarily concerned with the use of textiles to communicate and perpetuate memory, I find this element of her work particularly powerful and moving. A simple rainy day stuck indoors, but the details of that are not just on film or in photos, instead expressed by the children and Anna through their markings and her stitch. The work involved feels like a natural representation of the patience and repetition of motherhood and the unconditional love therein.

Are the images we see portrayed here of stories she has shared with her children again and again, reminding them all of the nights she comforted them and rocked them to sleep? Do I see monstery teeth - so significant in early childhood - so painful yet such a bonding shared experience. The monsters and the landscapes.. I see an image of numerous breasts - is that of significance to Torma? Before I knew about Torma's work I used this image myself in a diary drawing many years ago when I was making a joking nod to feeling able to nurture the world (or something like that). Perhaps the many-breasted woman is one with love enough for all..? Was this Torma that was full of love or something significant to her children? The whole piece is a big, beautiful private code within which we can all find significant parts, beautiful hints and project our own hypotheses. All of it about emotion, about feeling and reacting, making us think and feel, to me it is what makes work powerful.

Rainy Day II, Tales - 2001

Torma completed her studies in Hungary in 1979, having witnessed the textile revolution of the 1970's. Textiles was at that time moving away from it's incarnation as folk art, or genteel past time. It slipped under the harsh spotlight of the authorities that shone intently over the shoulder of fine arts. Pieces were then being woven or stitched into abtract forms, installations, conceptual work in ways that had not previously been considered.

detail from Rainy Day II

Torma retained a feminine sensitivity about her work and was concerned with the motifs from her craft's heritage, with the stitches used and their significance and retaining the folk art references that other fibre artists were then rejecting.

detail from Playground I - 2002

Her work today seems to me to be entirely universal in it's communication of shared experiences, instincts and references. I'd really love to see it in person - to experience the scale, the texture, the little details, the motion of the stitch and the emotion of the piece. If any of you have experienced her work in person then please tell me - I'd love to hear about it.

Just My Imagination - 2006
anna torma


Anonymous said...

Grrreat to see you back, Lovely. More wonderful stuff to muse upon, thank you!

Manda said... a new reader to your blog....anna tormas work is very beautiful...thanks :-)

Anonymous said...

Thanks for pointing out the fab anna tormas - Ive never heard of it before, but will definitely check her out.

dell said...

yes hello elvis,
these are beautiful...

Anonymous said...

Hello, I really enjoyed reading this post. It is a beautiful, well considered essay on her work. Her stitches are wonderful. Thank you....

Anonymous said...

Beautiful, beautiful! I will go and find my needles now, thanks!

DingDongBell said...

Thankyou for bringing another wonderful artist into our lives.. it's really good to have you back.

pen said...

I've been stopping in and just looking at these pieces- again and again and again.
Each time I see something new and exciting in them.
All those little stitches.

Ahipara Girl said...

I have loved perusing your blog. You had me straight off with your profiles of Anna Torma and Julie Arkell, two of my faves and sooo inspiring. I also loved the blurb on Loop, what an amazing place, people and atmosphere. I wish we had something similar nearby. Thanks for the loveliness here. I will post a link on my blog. Have a happy day.

maggie said...

nice review of anna torma's work. thanks for all of the great images. i hope to be reincarnated as her one day.

Anonymous said...

I just learned about Anna Torma's work today and it brought me to tears! Thank you for your wonderful post on her and her work. Do you know if she has any upcoming exhibits...I would be thrilled to see her work in person. Thanks!

Anonymous said...

very beatiful thanks for them ;)

Beatrice McClelland said...

These are amazing!!!
I have posted a link on my blog to yours. I will post soon my bag that I used machine embroidery on...not even a shadow of Anna Torma's work but this post gives me hope.

helen said...

I've just discovered your blog and am so happy to find it. It is all about everything I love. I particularly loved reading about your colourful Nan. Thank you for the wonderful writing and pictures.

Kaisu said...

Thank you! :)